Born in Uruguay, and of Italian origin, tenor Leonardo Ferrando stands out in the belcanto repertoire for his musicality, fine phrasing and impressive high register.
His operatic highlights include the roles of Almaviva (Il Barbiere di Siviglia), Don Ramiro (La Cenerentola), Comte Ory, Ernesto (Don Pasquale), Nemorino (L’elisir d’amore), Carlo (Linda di Chamounix) Arturo (I puritani), Orombello (Beatrice di Tenda), Tamino (Die Zauberflöte), Ferrando (Così fan tutte), Don Ottavio (Don Giovanni), Gérald (Lakmé), as well as leading roles in rare bel canto operas.
Leonardo Ferrando’s career has taken him to Bergamo, Berlin, Bremen, Buenos Aires, Copenhagen, Düsseldorf, Helsinki, Innsbruck, Malmö, Montevideo, São Paulo, Toulon and Trieste, where he has worked with recognized stage directors such as Michael Hampe, Peer Boysen, Robert Carsen, Nicola Raab, Rodula Gaitanou, Irina Brook or Fabio Sparvoli. He has performed under the baton of conductors including Philippe Auguin, Manlio Benzi, Tobias Ringborg, Enrico Calesso, Tõnu Kaljuste, Marco Boemi, George Petrou and Jonathan Brandani, to name a few.
Tenor Leonardo Ferrando began his studies in Montevideo at Teatro del Centro and Escuela Universitaria de Música, taking thereafter private lessons with Prof. Cecilia Varela in Buenos Aires and Mtro. Jorge Ansorena in Florence, Italy.
Future engagements include Il Barbiere di Siviglia in Arena di Verona and La Cenerentola at Deutsche Oper am Rhein.Download Leonardo Ferrando Bio as PDF